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Brintnall, Kent Print
brintnall
Kent L. Brintnall (B.A., Fort Hays State University; J.D., Northeastern University School of Law; M.A., Pacific School of Religion; Ph.D., Emory University) joined the UNC Charlotte faculty in fall 2008 after serving as the inaugural post-doctoral fellow in religion and sexuality as well as a lecturer in film studies at Emory University. He teaches courses in feminist and queer theory, literary theory, masculinity studies, visual and popular culture and the Christian tradition.  His first book, Ecce Homo: The Male-Body-in-Pain as Redemptive Figure, was published by University of Chicago Press in fall 2011.  He is currently working on two monographs, one tentatively entitled Sacrificing Ethics: Georges Bataille and Queer Theory; the other tentatively entitled Formalizing Desire: Mysticism, Pornography, Subjectivity.  He is also assembling a co-edited collection of essays entitled Negative Ecstasies: Georges Bataille and the Study of Religion.  He serves as the North American editor for Theology and Sexuality and as the co-chair of the Queer Studies in Religion Section of the American Academy of Religion.  Dr. Brintnall is an affiliate faculty member in the Women’s and Gender Studies and Film Studies programs.  In his free time, he watches an embarrassingly large amount of reality television and strives to keep his three dogs—Fenris, Fred and Dino—happy.
 
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Research 

My research focuses on how Christian narratives, images and practices support and subvert identity and desire, especially as they interact with contemporary cultural artifacts and discourses.  Specifically, I am interested in how gendered and sexual identities are generated, shaped and disrupted through and in resistance to Christianity.  In pursuing this question, I rely primarily on insights gained from the work of Georges Bataille, queer theory, psychoanalysis and poststructuralist literary theory.  In Ecce Homo, I consider constructions of masculine subjectivity and the evocation of homoerotic desire in relation to representations of the male-body-in-pain, including psychoanalytic discourses, images of crucifixion, paintings by Francis Bacon, photographs by Robert Mapplethorpe and films from the Hollywood action genre.  In Sacrificing Ethics, I hope to extend my interest in both Bataille and queer theory by staging a conversation among Bataille, Leo Bersani, Teresa de Lauretis, Tim Dean, Lee Edelman and Judith Halberstam.  I am particularly interested in exploring the kinds of ethical frameworks and political analyses that might be generated starting from negativity, self-annihilation and the death drive.  In Formalizing Desire, I will explore these same questions from the vantage point of mystical and pornographic writing, their shared stylistic and formal features, and their capacity to disrupt the reader’s sense of a stable, coherent self.  These questions will be pursued through comparative analyses of the Marquis de Sade and Hadewijch of Antwerp, Georges Bataille and Angela of Foligno, Jean Genet and Thérèse of Lisieux, and Dennis Cooper and Pseudo-Dionysius.  Finally, with Negative Ecstasies, co-edited with Jeremy Biles, I seek to show the generativity and importance of Georges Bataille’s ideas for the academic study of religion.
 

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